charlotte arnoux

writer

Writing has been an essential part of Charlotte's artistic path. She's a proud reviewer at Theatre Is Easy and Exeunt, continues to develop her own plays, and writes short-form fiction and non-fiction. 

REVIEW: Borders

REVIEW: This Is Modern Art

A look at a crew of graffiti artists on the streets of Chicago, This is Modern Art examines the lack of recognition of those doing the “writing” on the wall.

REVIEW: the hollower

A cross-generational relationship between a bizarre teen and a depressed adult, told through an explosion of color, hallucinations and wackiness.

REVIEW: Pay No Attention to the Girl

A creative reimagining of Arabian Nights in a brand new space.

REVIEW: Miss You Like Hell

Charlotte Arnoux reviews Quiara Alegría Hudes’ feminist road trip.

REVIEW: The Loneliest Number

Lizzie Vieh explores the side effects of side pieces in her poignant and exciting new play.

NEW PLAY: Creekside Drive

Charlotte's newest play Creekside Drive is featured as part of the Schreiber Shorts 2018 Festival. Directed by Keelie Sheridan, starring Melanie Glancy.

REVIEW: Jupiter's Lifeless Moons

Charlotte Arnoux reviews Dane Terry’s “exciting, magical, musical” piece, in COIL.

REVIEW: Actually

Actually unpacks the blurred lines of a drunken night between two college freshmen.

REVIEW: The Tooth-Puller

In this newest piece by The Department of Fools, eight commedia masters weave together song, dance, comedy, and phalluses of all sizes!

REVIEW: Lucky

A skilled ensemble meets all your circus needs in a fun and enchanting new piece.

REVIEW: J&K 1965

A highly interactive site-specific hunt for heroin in a 1965 Needle Park.

REVIEW: A Simple Art

In the investigation of a real-life cold-blooded murder, the New York Neo-Futurists uncover the blurry line between fact and fiction.

REVIEW: The Other Plays

 A riveting collection of plays and monologues that explore what it means to be seen as an "other."

REVIEW: Linda

An influential ad executive is determined to resist the invisibility that comes with being fifty and female.

REVIEW: Visionary Voices

A presentation of three plays by women: Trifles and The People by Susan Glaspell and Exit: An Illusion by Marita Bonner.

REVIEW: How To Sell Your Gang Rape Baby**For Parts @ Frigid

A scarily offensive play in which a gang rape creates a great business venture for two women who are out of options.

REVIEW: A History of Servitude

A wild, highly inappropriate journey through time, as told by a commedia group of Fools— masters and servants alike.

REVIEW: Street Children

A vogue-tastic window into the 1980s on the Hudson Piers.

REVIEW: Poison

A Euro-hit two-hander about grief, closure, and moving on.

REVIEW: Hedda Gabler

A streamlined and technically powerful production of the Ibsen classic.

REVIEW: Sweet

A crowd-pleasing play tells the story of a love triangle set in late 1960s Kansas.

REVIEW: Miss @ Fringe Fest

A suspenseful drama about trauma, loss, and revenge.

REVIEW: Liars and Lovers @ Fringe Fest

A tale of revenge between two "best friends."

REVIEW: The Extraordinary Fall of the Four-Legged Woman @ Fringe Fest

An a cappella musical about the true story of a four-legged sideshow attraction and her fear of giving in to true love.

REVIEW: Is That Danny DeVito?

A millennial version of Samuel Beckett’s Waiting for Godot that weaves in great laughs and lots of tender moments.